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AZMIN KAKAInteriors
04

Family Home in Chowpatty

A pale living room with two long sofas facing each other across a glass table, floral armchairs at either end and a chandelier overhead.
Photography
Biju Gopal

A family home where confident pattern and a considered seating arrangement shape the room that is designed for connection and conversation.

The living rooms are laid out for conversation. Sofas face one another so that the first thing anyone sees on walking in is the other people in the room, not a screen. Chairs are pulled in at the ends and there is a side table within reach of every seat.

Against pale walls, the pattern is allowed to be bold: coral print behind the console, florals on the upholstery, a wall of print behind the dining table.

Chapter 01

Pattern with something to hold it

Strong pattern needs weight nearby or it floats. Here the coral printed wall has a wrought iron and marble console in front of it, a heavy gilt mirror above, and a pair of ruby glass lamps at either end. The print is the loudest thing in the photograph and still not the first thing you look at.

Elsewhere the same logic runs in reverse, with plain walls and patterned chairs, so that no two rooms make the argument the same way.

A close view of the wrought iron and marble console against the coral printed wall: a ruby glass lamp, a silver jug and a potted plant.
A living room with a long pale sofa beneath a triptych of botanical prints, a tall plant and a floral armchair alongside.

Chapter 02

Rooms with people in them

Almost every frame has fresh cut flowers in it, a table laid, or a chair pushed slightly out of line. That is not styling for the camera so much as a record of how the rooms are used.

Family portraits hang where you can see them from the seating rather than in a corridor. It is a small decision and it sets the temperature of the whole house.

Cut flowers and a cake stand on a low table between pale sofas, a tall plant behind and framed prints on the wall.
A wrought iron and marble console against a coral printed wall, with a gilt mirror above and ruby glass lamps at either end.
The coral printed wall seen wider, with cane-seated chairs to either side of the console and plants at floor level.
A round dining table and upholstered chairs beneath a chandelier, set in front of a tall window with a tiled screen wall alongside.
A living room corner with a large framed painting above a long sofa, a table lamp beside it and a tall fig in the corner.
A dining table laid with coloured glassware in front of a wall printed with trailing foliage, plants on either side.
A corner seat by a tall window with palms outside, framed family portraits on the wall above and a poinsettia on the floor.

The set

4 photographs · drag, or scroll sideways

  • A wrought iron and marble console against a coral printed wall, with a gilt mirror above and ruby glass lamps at either end.
  • A round dining table and upholstered chairs beneath a chandelier, set in front of a tall window with a tiled screen wall alongside.
  • A pale living room with two long sofas facing each other across a glass table, floral armchairs at either end and a chandelier overhead.
  • A corner seat by a tall window with palms outside, framed family portraits on the wall above and a poinsettia on the floor.

Materials

Walls
Soft dusty rose, coral wallpaper
Joinery
Carved dark wood
Textiles
Cotton, linen, suede, jute
Glass
Ruby glass lighting, glass table tops
Lighting
Crystal chandeliers, shaded lamps
Stone
Marble flooring

Craft & Credits

Photography
Biju Gopal

Architecture

The architecture is defined by a graceful progression of rooms, where one space gives way to the next, creating an atmosphere of effortless ease and understated elegance.

A house measured by how easily twelve people can end up in the same room without anyone having to move a chair.